Thor: The Dark World is a 2013 American superhero movie Based on the Marvel Comics character Thor, which was made by Marvel Studios and released by Walt Disney Studios Motion Pictures. It is the eighth movie in the Marvel Cinematic Universe (MCU) and the sequel to Thor (2011). Alan Taylor directed the film from a screenplay by Christopher Yost and the writing team of Christopher Marcus and Stephen McFeely. Chris Hemsworth starred as Thor, Natalie Portman, Tom Hiddleston, Anthony Hopkins, Stellan Skarsgard, Idris Elba, Christopher Eccleston, Adewale Akinooye-Akbaje, Kate Dennings, Ray Stevenson, Ray Stevenson, Zachary Aslexo, Jamnobu Aso, Tada.
Development of the Thor sequel began in April 2011 when producer Kevin Feige announced plans for a sequel to the MCU crossover film The Avengers (2012). In July, Thor director Kenneth Branagh dropped out of the sequel. Before Taylor was hired in January 2012, Brian Kirk and Patty Jenkins were considered to replace him as director. The supporting cast was filled in in August 2012, with Eccleston and Akinuyo-Akabaje as the film’s villains.
Thor: The Dark World premiered in London at the Odeon Leicester Square on October 22, 2013, and was released in the United States on November 8 as part of the second phase of the MCU. The film was a commercial success, grossing over $644 million worldwide, making it the tenth highest-grossing film of 2013.
Thor: The Dark World Movie Review
Viewers of Thor: The Dark World may initially be confused about whether they accidentally strayed into a preview screening of the next installment in the Hobbit series.
The author said that the premise of the opening – the grim Anthony Hopkins recounting an epic story of an ancient battle between a race of good and evil elves – sounds like pure Tolkien, and with good reason: Norse mythology also refers to Lord of the Elves. Rings inspired, the author said. Stan Lee and Larry Leiber of Marvel Comics were creating their own god-like superheroes.
Let’s face it: The fantasy elements of the story of Thor (Chris Hemsworth) have always been a little different from the science fiction that drives the rest of Marvel’s cinematic universe. All the others on the Avengers team are humans with superior natural abilities or mutations introduced by science; Thor’s status as a god-like supernatural alien mixes cosmic science with plain old magical mysticism.
In The Dark World, director Alan Taylor fully embraces those fantasy elements, allowing them to rub against more down-to-earth terrain, revealing contrasts for comic relief.
Taylor knows this area well: His director’s chair recently landed on the set of HBO’s Game of Thrones, and he brings the epicness of that fantasy series to the other parts of this film. A huge digital canvas.
Their digital cast also deserves serious credit; The grandeur of Thor’s home on Asgard (the star-studded funeral pyre over Asgardian waterfalls, lazy and beautiful) contains some of the most beautifully rendered footage of the Avengers. A race of Dark Elves returns after thousands of years of exile.
Those elves led by Malekith (an almost unrecognizable Christopher Eccleston) mean that Thor renews his quest to destroy the Nine Realms to protect – our Earth being one – once every 5,000 years. Realizing the world And to get there is a mysterious energy source called ether.
As an accidental side effect of an impending cosmic merger, Aether resides in the body of Jane Foster (Natalie Portman), an astrophysicist and lover of Thor.
The lack of chemistry between Hemsworth and Portman, which was good enough in the first Thor movie, is still a problem, but at least they’ve avoided the routine of a mostly starry schoolgirl. Portman plays a somewhat distressed young woman in Foster’s interactions with her older protagonist, but their romance backfires on the larger issues of the drama.
The most important – and most effective – conversation is between Thor and his brother Loki (Tom Hiddleston), who has been imprisoned in Asgard’s dungeons after attempting to enslave Earth in The Avengers. Hiddleston is the biggest asset at Marvel’s disposal, a complex villain played by a legendary actor with a mixture of wounded malice and glee.
The other secret weapon here is Avengers writer-director Joss Whedon, who was brought in to do some unauthorized script rewrites. The films in the Avengers universe have succeeded in their desire to mix light humor in the battle between good and evil, and none more so than Thor’s entries in the series; The extravagance of his world threatens to reduce things to self-seriousness.
So the down-to-earth scenes – they take place in London, certainly a calculated effort to further cement the film’s international popularity – are usually whodonesque snaps, most notably a deliciously awkward date set right at the beginning of Foster’s film. it occurs.
Along with the mildly silly antics of Foster’s scientific team (Stellan Skarsgard and Kate Dennings), the film could have used a little more of that sort of thing to advance the fantasy. And the film takes place in a slightly supernatural place between fictional realms and Norse-ish names, which alienates the audience and lowers the stakes.
But when they unite every few epochs, the division between the worlds no longer matters so much. The dimensions collide, and Taylor lets the film hit pure popcorn-glass territory with the force of Thor’s hammer. This is an area where the Dark World is very comfortable. Also, Read Thor Movie Review And Plot Summary (2011).