| Director: | Jon Watts |
| Producer: | Kevin Feige Amy Pascal |
| Rating: | PG-13 (Sci-Fi Action Violence|Brief Suggestive Comments|Some Language) |
| Release dates: | July 7, 2017 (US) |
| Running time: | 133 minutes |
| Country: | United States |
| Language: | English |
| Budget: | $175 million |
| Box office: | $880.2 million |
Spider-Man: Homecoming Summary
Spider-Man: Homecoming is a 2017 American superhero movie, co-produced by Columbia Pictures and Marvel Studios, and distributed by Sony Pictures, Movie is based on the Spider-Man character from Marvel Comics.
It is the second Spider-Man reboot and the 16th film in the Marvel Cinematic Universe (MCU). The film was directed by John Watts from a screenplay by Jonathan Goldstein and John Francis Daly, Watts and Christopher Ford, and the writing teams of Chris McKenna and Eric Somers. Spider-Man: Homecoming premiered in Hollywood on June 28, 2017, and was released in the United States on July 7 as part of the third phase of the MCU. Homecoming grossed over $880 million worldwide, making it the second-highest-grossing Spider-Man film and the sixth-highest-grossing film of 2017.
Spider-Man: Homecoming Cast
Tom Holland stars as Peter Parker / Spider-Man, alongside Michael Keaton, Jon Favreau, Gwyneth Paltrow, Zendaya, Donald Glover, Jacob Batalon, Laura Harrier, Tony Revolori, Bokeem Woodbine, Tyne Daly, Marisa Tomei, and Robert Downey Jr.
Also, Read Doctor Strange Review, Cast, And Summary (2016)
Spider-Man: Homecoming Review
The fresh-faced poster boy of the modern superhero film era, Spider-Man slowly became a sadly symbolic shill, symbolizing an industry that was afraid of business hawking and creative risk-taking. Sam Raimi’s first two episodes are thrilling and light-hearted; His third disaster. Five years later, (500) Days of Summer director Mark Webb had no chance to reintroduce the character, eventually making an unrelated choice. The two films produced by the Solace Committee covered boringly similar premises, and two years later we got another update to see the character on a solo outing in Captain America: Civil War.
The fatigue that welcomes the arrival of lesser-known director Jon Watts in Spider-Man: Homecoming is inevitable, but there’s something akin to optimism when it comes to Marvel’s handling of the cinematic universe. Try inside first. While its formula has shown some signs of rust lately, it has a clean and ambitious long-term strategy for Peter Parker’s reboot-free future.
The casting of 21-year-old British actor Tom Holland, previously known for his roles in The Impossible and Parker, is one of the few things that separate the Civil War from the otherwise terrifying Captain America. As the stage version of Billy Elliot. In a few short scenes, he makes a more powerful impact than the spoiled Andrew Garfield in two full films. Simple with physical humor, he looked like a real high school student – a direct departure from his two predecessors. The decision to turn his first full-length adventure into a teen film pays off, and the setting serves as the perfect tool for chronicling the web-slinger’s journey into adulthood.
Also, Read Marvel’s The Avengers Review And Plot Summary (2012).
Hollands Parker is a spirited 15-year-old boy recruited by Tony Stark (Robert Downey Jr.) to help destroy the Avengers. The piece is shown again. He impresses Stark, but not enough to automatically enter the group, which upsets him. While in Queens, Parker has to get an “internship” with his Aunt May (Marissa Tomei), who is waiting for that important call. Her high school life is less thrilling than getting ready for the night; She and her best friend Ned (Jacob Peyton) are mostly unpopular and have stuck firmly to the geek side of the restaurant.
Parker lusts after popular legend Liz (Laura Harrier), while tomboy Michael (Zendaya) is teased, her heroic relationship with the Avengers is fast fading. But he has a sinister plot on his side involving a disgruntled blue-collar activist named Vulture (Michael Keaton), who sells weapons on the black market using technology saved from the Avengers wars. Parker’s fortunes may change, but first, he must figure out how to become the hero he already thinks he is.
One of the main problems of Marvel’s wider cinematic universe is how each new installment ties in with its counterparts and introduces the next. This is what made the Civil War such a headache: If it was filled with more costumed crusaders, the audience would have had more fun. This tedious expansion made each new entry feel less like a movie than a source material, the sole purpose of which was to confirm us with the promise of upcoming, release dates in advance.
The refreshing enjoyment of Spider-Man: Homecoming is relatively self-contained entertainment. Sure, it’s within the Avengers canon, but the finely crafted script carefully bridges it, and the film’s main concern is storytelling rather than a great commercial. Downey’s appearance is mercifully short, and the other cameos serve as a joke rather than a preview of the places to come. The premise of previous Avengers films serves as a smart setting for Keaton’s Vulture, which takes on a plethora of heroes struggling to make ends meet.
Marvel has a chronic problem with its villains, each of whom is less compelling than the last, but handling the Vulture in the film is one of its many masterstrokes. He has given depth, humanity, and moral ambiguity to the corruption of the working class, which he considers to be the reckless elitism of Tony Stark. The clever idea of Civil War is to explore the damaging effects the Avengers have on the world around them, and that theme is beautifully framed here, with class warfare serving as a subtle subtext to the film’s direct conflicts.
Also, Read: Iron Man 2 Movie Review and Plot Summary (2010)
But it has a rare dark element to an otherwise light, lively, and often hilarious crowd-pleaser. Holland is sensational: witty, weird, and believably vulnerable, adding much-needed tension to his early forays into superheroism. As viewers, we really care about what happens to him, and his progress isn’t easy. It feels like a real New York high school: racially diverse and perfectly balanced. This time without the excessive glare of previous Spider-Man films, the film focuses on locations outside of Manhattan.
Holland’s surrounding young actors don’t play into reactionary stereotypes, and they make up enough of a force to support a High School sequel. Talented breakouts feature small but memorable roles, while Parker’s inner circle is layered with Harrier’s charm, Battlen’s lateral wit, and Zendaya’s scene-stealing snark. There are brief comic cameos by Donald Glover and Hannibal Buress, the never-used Tommy is given space to make an impact, and Keaton, with a well-contained sense of danger and injustice, is the perfect choice for the villain.
The script’s smart decision to include the entire cinematic universe fits in well with action sequences that are less engaging and understandable than other Marvel blockbusters. The film plays with the superhero formula, bypassing the story’s backdrop and throwing in a killer twist at the end, leading to a surprising, edge-of-the-seat finale that’s rare in the genre.
Spider-Man: Homecoming is insanely entertaining entertainment, enough to temporarily cure any superhero’s fatigue. It has wit and an innovative, clever plot that reminds us of what such exciting and fun films can be. It may have taken three tries, but Spider-Man finally cracked the gold.
Where To Watch Spider-Man: Homecoming
Currently, you can watch “Spider-Man: Homecoming” streaming on Disney+, HBO, Netflix, and On Hulu.