Guardians of the Galaxy Vol 1 is a 2014 American superhero film based on the Marvel Comics superhero team of the same name. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it is the 10th film in the Marvel Cinematic Universe (MCU).
Directed by James Gunn, who co-wrote the screenplay with Nicole Perlman, the film starred Lee Pace, Michael Rooker, Karen Gillan, Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, and Bradley Cooper as Guardians., Djimon Hounsou, John C. Reilly, Glenn Close, and Benicio del Toro. In the film, Peter Quill and a group of supernatural criminals steal a powerful artifact and flee.
Perlman began working on the screenplay in 2009. Producer Kevin Feige publicly mentioned Guardians of the Galaxy as a potential film in 2010, and Marvel Studios announced it was in the works at San Diego Comic-Con in July 2012. Gunn was hired to write and direct the film in September.
Guardians of the Galaxy premiered at the Dolby Theater in Hollywood on July 21, 2014, and was released in theaters in the United States on August 1 as part of the second phase of the MCU. The film was a critical and commercial success, grossing $773.3 million worldwide, making it the highest-grossing superhero film of 2014 and the third-highest-grossing film of 2014.
The film was praised for its screenplay, direction, acting, comedy, soundtrack, visual effects, and action sequences. It was nominated for two awards at the 87th Academy Awards and received many accolades. A sequel, Guardians of the Galaxy Vol. Published on 2, 2017. The third film, Guardians of the Galaxy Vol. 3, will be published in 2023.
Guardians of the Galaxy Review
The worst thing after making an Avengers Marvel movie is how far ahead of the game you are when you start. Your film will be aggressively marketed, considered the biggest opener of the summer, have rave reviews everywhere, and will be one of the most commercially successful films of the year, whether or not you do anything interesting. From a professional development standpoint, it would not be unreasonable to describe your work as having “no turning back”. There’s no reason why cautious tiptoeing shouldn’t encourage the exact tonal copy that works in films like Iron Man and The Avengers, which ultimately leads to a billion-dollar effort to ensure solidity. Indifferent basic success, creatively speaking.
So it’s amazing how often Guardians of the Galaxy feels unlike other Marvel movies and other comic book movies.
Directed by James Gunn and written by Gunn and Nicole Perlman, The Guardians introduce us to Peter Quill (Chris Pratt), a skilled and vaguely intelligent thief, shortly after his death to aliens who have taken him to Earth as a boy. was kidnapped from Mom As clever thieves always do, Quill finds herself in a jam, and soon, she meets the mysterious and fearless Gamora (Zoe Saldana), grief-stricken and largely Drax (Dave Bautista) and a giant walking He is in jail with a tree Groot (Vin Diesel) and exclusively mercenary Rocket Raccoon. They soon found a common purpose and off we went.
What sets Guardians of the Galaxy apart is its tone, which is in the form of the ’70s mixtape Quill inherited from his mother, which he still blasts on his adorable Sony Walkman. After a brief introduction, we first see him kicking and dancing his way through the puddles of a distant planet as Redbone’s “Come and Get Your Love” plays. He’s a wondrous hero, but Pratt — a wonderfully charismatic actor like Andy Dwyer, who has a big heart and a slightly hazy head at Parks and Recreation, which he’s doing here — gives him a shaggy charisma and more. Comic kart in particular compared to most Marvel heroes.
The simple fact that Guardians of the Galaxy is so close to a pure comedy is what sets it so apart. Iron Man and The Avengers are definitely comedies, but they’re not comedies, that’s all. While those movies often rely on ironic understanding at the wrong times and beating Hulk-on-Loki for laughs, there are lots of jokes in this film. The punch cut between the intense action sequence and bone-chilling takes the deadpan. It has amazing face-drawing properties. It has mechanical-eyeball comedy.
The tired, sometimes questionable but deeply endearing harmony of adults who love silly blockbusters and the self-awareness of good and bad that kids can happily bathe in before they even start thinking about comics is so delightful. Basically a capitalist enterprise. You can watch this movie and have a long discussion about what Baez is really doing, how he’s joking, and how much he knows based on that intensity. At the end of the cartoon, Scooby-Doo removes a mask from his head. It is not that he does not make a real villain, but he also makes the idea of a comic book villain a villain. All he gives when it comes to danger, his deliciously super-madness goes hand in hand with the more comical things Quill’s team does.
Guardians have a lot of heart, but this kind of comedy gets its emotional punch from the underlying warmth. Really funny people generate empathy, so humor doesn’t just cause laughter, it resonates. What were the blockbusters before they started crushing cities full of innocent people? Richard Donner, What is Superman? At least something that was once one of the most important big-money-movie elements can be combined with seriousness, mastery, and relentless, ash seriousness.
On the downside, The Guardian is the least innovative in its aesthetic: It doesn’t play like a Marvel movie, but its visuals certainly look alike. Bullets, explosions, giant spaceships… I’ve seen it all. There are some really cute scenes – Gunn loves to swim and uses it to pretty effect in several places – and there’s a nice frantic fight scene between Quill and Gamora. But the branding of the Marvel Universe is certainly more consistent and visually more intuitive than Tonal.
On the other hand, that music is excellently chosen. Everyone from Stanley Kubrick to Michael Moore plays upbeat music in conflicting movies, but songs like “Hooked on a Feeling” at locations in the Guardian create a more complex feeling. The expected orchestral soundtrack will be there. While other Marvel movies are similarly contemporary, they are more understated; It’s a funny feeling – in a good way – to see people engage in epic battles over ancient artifacts in space and make a temporary connection, like music, to this special person’s lost life on Earth.
It is easy to draw a clear divide between the satisfaction of popular entertainment and the rewards of great art, and this divide, not as easy to define as it may seem, is certainly real. Even more shocking is that the gratification of popular entertainment sucks and the rewards of great art are significant. Also, Read Thor Movie Review And Plot Summary (2011).
Guardians of the Galaxy Soundtrack
I'm Not in Love
Written by Eric Stewart and Graham Gouldman
Performed by 10cc
Courtesy of Mercury Records Limited
Under license from Universal Music Enterprises
Come and Get Your Love
Written by Lolly Vegas
Performed by Redbone
Courtesy of Legacy Recordings
By arrangement with Sony Music Licensing
Go All the Way
Written by Eric Carmen
Performed by The Raspberries
Courtesy of Capitol Records, LLC
Under license from Universal Music Enterprises
Mad Scene from 'Lucia di Lammermoor'
Written by Gaetano Donizetti
Performed by Bergamo Musica Festival Orchestra and Chorus conducted by Antonino Fogliani
Courtesy of Naxos
By arrangement with Source/Q
Hooked on a Feeling
Written by Francis Zambon (as Mark James)
Performed by Blue Swede
Courtesy of EMI Music Sweden
Under license from Universal Music Enterprises
Escape (The Piña Colada Song)
Written and Performed by Rupert Holmes
Courtesy of Geffen Records
Under license from Universal Music Enterprises
Moonage Daydream
Written and Performed by David Bowie
Courtesy of RZO Music
Fooled Around and Fell in Love
Written and Performed by Elvin Bishop
Courtesy of Island Records
Under license from Universal Music Enterprises
Cherry Bomb
Written by Kim Fowley and Joan Jett
Performed by The Runaways
Courtesy of Island Records
Under license from Universal Music Enterprises
Ooh Child
Written by Stan Vincent
Performed by The Five Stairsteps
Also performed by Chris Pratt (uncredited)
Courtesy of Buddha Records
By arrangement with Sony Music Licensing
Ain't No Mountain High Enough
Written by Nick Ashford (as Nickolas Ashford) and Valerie Simpson
Performed by Marvin Gaye and Tammi Terrell
Courtesy of Motown Records
Under license from Universal Music Enterprises
I Want You Back
Written by Freddie Perren, Fonce Mizell (as Alphonso Mizell), Berry Gordy (as Berry Gordy, Jr.), and Deke Richards
Performed by Jackson 5
Courtesy of Motown Records
Under license from Universal Music Enterprises